When this helps
- Removing unwanted structures or objects from footage
- Adding screens, products or CG objects to a filmed space
- Keeping graphics attached to a moving camera shot
- Combining live action with graphic effects or artwork

Tracking · Cleanup · Integration
Remove what distracts, replace what could not be captured and add graphics or CG that follow the filmed camera. Tracking, cleanup and compositing form the core; AI tools can be used where appropriate, with the scope agreed in advance.
Tram 381 · EMFACE · Buckaroo→ View the projectCase ↗Scope
We assess the footage first, then propose the tracking, graphics and CG needed for the intended shot.
Project evidence
Built a period-inspired 3D environment from limited reference material and combined it with greenscreen footage.
Tracked filmed screens, replaced their content and integrated branded CG objects into selected campaign shots.
Matched an elevated road, rider and motorcycle to the camera movement and light in city footage.
3D · VFX application
Fake Out-of-Home
FOOH combines footage of real streets or buildings with virtual CG. An elevated road, oversized product or character can appear in the space without a physical installation.
We develop the scene in storyboards, then build and composite the CG to match the filmed camera and light.
Explore the Buckaroo FOOH projectWorkflow
Steps and their order vary by project. We first agree on the purpose and outputs, then follow the production stages they need.
Review resolution, motion and image quality to establish what the footage supports and where extra work is needed.
Match the camera or surface movement and remove elements that interfere with the composition.
Match CG and graphics to the shot’s perspective, lighting and lens characteristics.
Check edges, reflections and movement across the sequence before preparing the agreed final files.
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